lectures

Lectures held during Sources 2 workshops, just download!

Steye Hallema
Case Study: Story Design / Virtual Reality – Ashes to Ashes (NL 2016)
FilmCamp/Norway, 14th June 2017
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Vinca Wiedemann
When writing, what happens beyond the writing itself?
FilmCamp/Norway, 13th June 2017
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Hrund Gunnsteinsdóttir
The Greatest Weapon of Storytellers is not a 'Pink and Fluffy' Feeling
Luxembourg, 5th April 2017
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Virgil Widrich
Case Study: Night of a 1000 Hours
Luxembourg, 4th April 2017
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Michael Comyn
Masterful Mentoring
Oulu/Finland, 21th September 2016
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Michel Reilhac
Presence Design and Spatial Writing in Virtual Reality?
FilmCamp/Norway, 11th June 2016
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Michel Reilhac
Is Virtual Reality an Option for a Filmmaker?
Pliezhausen/Germany, 18th April 2016
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Edgard Tenembaum
The relevance of our stories for an international audience
and how to make them travel
Pliezhausen/Germany, 16th April 2016
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Eric Collins
Evolution of Full Circle?
1915 – 2015, a Century of Screenwriting Lessons
Herrsching/Germany, 19th October 2015
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Vinca Wiedemann
Mentoring: The Art of Asking the Right Questions and Shutting up at the Right Time.
Herrsching/Germany, 17th October 2015
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Alvaro Vega (Spain)
Marketing & Publicity for Cinema – the Mentality to Promote
FilmCamp/Norway, 14th June 2015
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Christopher Slaski (United Kingdom)
Applied Music: The Challenge of Composing For Films
Gothenburg/Sweden, 10th April 2015
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Per Nielsen (Denmark)
Authenticity / The Natural Story
Gothenburg/Sweden, 12th April 2015
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Georg Tschurtschenthaler (Germany/Italy)
Should I Care?
A Linear Journey Through The Digital Buzz Word Jungle –
Cross-Media, Non-linear Storytelling, Transmedia, Apps, Gamification...
FilmCamp/Norway, 14th June 2014
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Ludger Pfanz (Germany)
Future Desigen: Artistic Visions for Audiovisual Media
Groß-Ziethen/Germany, 6th April 2014
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Michael Seeber (Austria)
Yang-Shan Meets San-Cheng
Or The Art Of Mentoring
Bavaria/Germany, 19th October 2013
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Gavin MacFadyen (United Kingdom)
Facts & Fiction –
The Translation of Stories Based on Facts into a Dramatic Structure
FilmCamp/Norway, 19th June 2013
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Ain Mäeots (Estonia)
presents his feature film Demons (2012),a project developed through a Sources 2 Script Development Workshop.
FilmCamp, Malselv/Norway, 16th June 2013
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Axel Hellstenius (Norway)
Creative Strategies:The Most Embarrassing – And the Small ThingsHow to Get More Out of Your Characters
FilmCamp/Norway, 14th June 2013
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Manuela Buono (Italy)
Great Expectations:
The Present and Possible Bright Future of Cross-Platform Projects
Graz/Austria, 23rd November 2012
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Iikka Vehkalahti (Finland)
To Find the Mind
Oulu/Finland, 27th September 2012
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Michael Seeber (Austria)
The Magic Triangle.
The Field of Creativity between Producer, Director and Writer in Project Development
FilmCamp, Malselv/Norway, 16th June 2012
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Susanne Schneider (Germany)
Between Obligation and Freestyle or Who Pays the Rent?
Tübingen/Germany, 17th April 2012
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Luis Miñarro (Spain)
The Abduction of Europe – A Quick Exploration on How to Make Art House Films in a Community Kidnapped by Financiers
Tübingen/Germany, 16th April 2012
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Ludger Pfanz (Germany)
Space / Time Narratives –
Structure and Style of 3D Screenplays and Documentary-Projects
Tübingen/Germany, 13th April 2012
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Saulius Drunga (Lithuania)
presents his feature film Anarchy in Žirmunai (2010)
a project developed through a Sources 2 Script Development Workshop.
Haparanda/Sweden, 20th November 2011
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Eric Collins (France)
Criticism – How to Take It, Dish It Out,
and Handle Both at the Same Time by Judging Oneself
Potsdam/Germany, 20th November 2010
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Jim Stark (USA)
The Creative Role of the Producer
Potsdam/Germany, 23rd November 2010
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Rick Minnich and Matt Sweetwood (USA/Germany)
present their documentary Forgetting Dad (2009)
Potsdam/Germany, 19th November 2010
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Thomas Woschitz and Oliver Welter / Naked Lunch (Austria)
present their feature film Universalove (2008)
FilmCamp, Målselv/Norway, 13th June 2010
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Miguel Machalski (Argentina/France)
Global Storytelling: Brief Case Studies
Graz/Austria, 16th November 2009
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Duane Hopkins (United Kingdom)
presents his feature film Better Things (2008),
a project developed through a Sources 2 Script Development Workshop.
FilmCamp, Malselv/Norway, 12th June 2009
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Sonia Herman Dolz (Netherlands)
The Upshot of a Relationship
Preceded by the screening of The Master and His Pupil (2003)
Girona/Spain, 5th April 2009
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Arash T. Riahi (Austria/Iran)
presents his feature film For a Moment, Freedom (2008),
a project developed through a Sources 2 Script Development Workshop.
Girona/Spain, 1st April 2009
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Knut Erik Jensen (Norway)
The Lack of Reality in Documentary and Fiction
Preceded by the screening of Knut Erik Jensen’s documentary My Dear Friend (1994)
FilmCamp, Malselv/Norway, 13th June 2008
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Veit Helmer (Germany)
presents his feature film Absurdistan (2007),
a project developed through a Sources 2 Script Development Workshop.
Wicklow/Ireland, 27th April 2008
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Dagmar Jacobsen (Germany)
1,000 Reasons to Co-produce – or Not?
Wicklow/Ireland, 25th April 2008
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Ruth McCance (Sweden/United Kingdom, NI)
Silver Screens: Comparative Approaches to Narrative
for Cinema and Television
Graz/Austria, 11th November 2007
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Andres Veiel (Germany)
Bordering on Fiction – Documentary Filmmaking on the Edge of Reality
Preceded by the screening of Andres Veiel’s film The Kick (2006).
Graz/Austria, 9th November 2007
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Arash T. Riahi (Austria/Iran)
presents his documentary Exile Family Movie (2006),
a project developed through a Sources 2 Script Development Workshop.
Nora/Sweden, 16th June 2007
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Enzo Monteleone (Italy)
Filming History
Preceded by the screening of Enzo Monteleone’s film El Alamein (2002)
Sorrento/Italy, 12th November 2005
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Heidrun Schleef (Italy/Germany)
on co-writing Gabriele Muccino’s Ricordati di me / Remember Me (2003)
Terni/Italy, 29th October 2003
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